I have a passion for the Sunburst electric, acoustic and bass guitars. I would love to share with you my story of this guitar finish. How it started and why and when.
French polishing began in the Victorian era in 1837, it was thought to be the highest quality finish that could be given to any piece of expensive furniture.
French polishing was a treatment given to wood, created by building up layer upon layer of French polish also known as Shellac Resin. Different rubbing motions and techniques were applied with the polish to wood.
The result was a high gloss finish that emphasized the woods natural grain and individuality. This original process and technique of French polish finishing took hours and hours to achieve and perfect.
By the 1930s a less labour intensive and more cost effective process was developed which involved spraying nitro cellulose lacquer directly onto the wood grain. This spraying technique was later developed so that two or three colors could be blended together to create a gradient Sunburst guitar finish that could be applied to either the electric, acoustic or bass.
Sunburst was the name given to describe the highly polished gloss finish that covered the surface of the guitar body. With few exceptions, less than a hand full of guitar makers had adopted the idea of having a Sunburst electric guitar finish.
The finish had mainly been applied to classical stringed instruments like the violin and cello. But by the 1950s the Sunburst guitar was produced with the idea of re-creating the image of a traditional aged French polish finish and making it popular to a mass audience.
The guitar manufacturer Fender in 1954 produced its first Stratocaster Sunburst electric guitar, also known as the Strat. This early Fender model was a ‘Tobacco’ Burst made up of a gradient between two colors, amber and dark tobacco brown.
The Fender Sunburst process
1. The guitar body was dipped in a golden yellow almost amber pigmented called Fullerplast filler.
(Fullerplast was a polyurethane varnish, used for sealing and filling wood)
2. The guitar body then had a second reddish dark brown color added as a gradient out to the rim of the guitar
3. The Sunburst was completed when it had a topcoat of clear varnish that acted as a sealant to the guitar body
The Fender Sunburst electric guitar was a massive success. In 1958 Fender produced an innovative three color
Sunburst made up of firstly a central area of amber projecting out into a second color of reddish dark brown with
a third and final color that provided a totally black rim side to the guitar.
Les Paul the late great inventor and legendary guitarist, in July 1958 created a classic solid body guitar that he endorsed with his name and Gibson produced. It was called the Les Paul Standard Sunburst guitar and had a bright ‘Cherry Red’ finish.
Originally the ‘Cherry Red’ Sunburst Gibson was created by spraying ultra-violet sensitive yellow and red dye onto the guitar body.
In 1959 the Les Paul Standard Sunburst guitar became available in a ‘Tobacco’ finish, similar to the Fender Strat. However, it was never as popular as the original ‘Cherry Red’ version.
By the mid 1960s the Les Paul Standard Sunburst guitar was really popular with the emergence of blues and rock guitarists like Jimmy Page, Eric Clapton, Paul McCartney, Keith Richards, Jimmy Page and Stevie Ray Vaughan.
Gibson still produces a wide range of Sunburst Les Paul guitars today available in Sunburst colors now called Heritage ‘Cherry Red’ and ‘Dark Tobacco’ burst.
The first Sunburst electric guitar finish I ever played was a 1960s Les Paul Gibson Cherry Red. I urge you to go to your local music store and check one out for yourself if you haven’t already, go now!